I hope that this book will feed the curiosity of the few students in this room who have an appetite for the foundations of our beautiful discipline, and that it will open the door to greater freedom to appropriate what yoga is for them today.
"Yoga is an ancient discipline from India". This is the common conception of our practice.
A concept that has little effect on the way class are given and taken. Perhaps it's just the assumption that it's not just gymnastics, but also a "spiritual" discipline. Few have the appetite to delve deeper into this dimension.
As a teacher, I naturally sought to understand this. My surprise was to discover endless variations on the theme, often contradictory and very superficial.
This book, written in 2015, is a "narrative of exploration": a collection of my research into the body and "spiritual" dimensions. Its title, which was intended to be "humorous" or even slightly desperate, is no longer relevant: since then, I've found numerous books written by (often Anglo-Saxon) scholars who have clarified the unclarifiable: modern yoga is a contemporary translation that borders on misunderstanding if we insist on giving it a pure origin, if only from the 15th century onwards.
Today, my position is that it's pointless to look behind us for an orthodox foundation, but that it's up to us to enrich the practice on the carpet of our more fundamental questions. From this point of view, Hindu, Buddhist, Muslim, Catholic or philosophical points of view of all kinds are acceptable as ways of asking questions, of articulating sensible or mystical answers, or not.
Benoit Conotte, Professor
* To "profess":
To confess publicly, to acknowledge something highly.
(Aged) To exercise.
Teaching publicly.
Table of contents
Chapter 1: Yoga books: a genre in its own right?
Interlude: the body and more: is yoga a "transcendent" Pilates?
Chapter 2: Superficial versions: Yoga here, Yoga there; different "schools" and general clutter
Interlude: the power of appropriation: my body, my sensations
Chapter 3: From theory to practice and vice versa
Interlude: Structure of a "scene
Chapter 4: The great Karcher: Hinduism, detachment and reincarnation
Interlude: Postures, time, body performance
Chapter 5: Western society, Mind/ Body problem
Interlude: Breathing
Chapter 6: Teacher, Guru and other positions
Interlude: Learning, teaching
Chapter 7: Putting an end to the purity of origins